So, when you write romantic comedies, you want your story to hang together, the characters to be dimensional, but most of all, you want to hear this from your critique partners (and later, from readers who purchase your story):
œHoly Hell! I spit my tea out reading the second half of this story (I didn’t drink tea through the first half). Too flippin funny!!
Yee-ha!
I was ssssoooo worried it wouldn’t be funny.
So far, so good. Got to get in a couple more critiques and then I can send it to my editor.